By Cristee Cook Coming out strong from their successful 25th Anniversary 2020 season of hybrid performances, Dallas’ Soul Rep Theatre...

By Cristee Cook North Texas audiences can experience one of Eugene O’Neill’s lesser-known works with The Classics Theatre Project’s...

By Cristee Cook The Topaz Film Festival, presented by Women in Film Dallas, is celebrating its 20th annual presentation of independent...

By Cristee Cook Danielle Georgiou Dance Group and Undermain Theatre have co-produced a contemporary poetic powerhouse with Stronger Than...

By Adrian Cook Prism Movement Theatre’s latest work, Lucha Teotl, presented as part of the AT&T Performing Arts Center’s Elevator...

By Adrian Cook I came of age in the early 1990s, the heyday of grunge music, post-punk emo, and melancholia. I latched on to bands like...

By Cristee Cook The Classics Theatre Project returns to live theatre with a charming adaptation of William Shakespeare’s Much Ado About...

By Cristee Cook “The great tragedy of life is that so many people have nothing to do but yearn for happiness without ever being able to...

By Cristee Cook Soul Rep Theatre Company's final production of their 25th Anniversary season, SOUL-O-SHORTS is a filmed theatrical...

By Cristee Cook My calendar app dings, reminding me to open my Zoom meeting and talk to Martheya Nygaard and Reyna Mondragon about their...

By Adrian Cook This week, Dallas Art Beat had the opportunity to watch the latest effort from the Danielle Georgiou Dance Group, Things...

By Cristee Cook Last week I masked up and went into The Cube: An Interactive Experience for the Socially Distanced Era at the Latino...

By Cristee Cook Do No Harm, a new play from Anyika McMillan-Herod, takes audiences back to 1840’s Alabama. The world premiere is...

By Cristee Cook On Sunday, December 6th I had the pleasure of attending the multi-media installation at Dallas’ Cara Mia Theatre:...

By Cristee Cook The regional premiere of My Red Hand, My Black Hand by Dael Orlandersmith opens the revived Café Negro Series, a...

By Cristee Cook Theatre Three’s virtual production, It Came From Theatre Three celebrates Halloween with four short plays, each...

By Adrian Cook The COVID-19 pandemic has dealt a palpable blow to live performance. This is obvious. It is also uncertain. We don’t know...

By Adrian Cook As a performance scholar and a performing artist, I have been contemplative over the past four months, imagining and...

by Christopher Soden Haskell Harelik is a Jewish refugee from Russia who abandons his original plan to come to New York and gets off the...

by Cristee Cook THE SAVAGE SECONDS, a theatrical film from Danielle Georgiou Dance Group (DGDG), centers on the story of BABY. When her...